The Two-Line Problem
09/06/07 17:34 Filed in: Poetry
Being a slow producer of poems, I have some
particular difficulties when trying to 'force' a
number loose, as I am at the moment. I am used to
composing for a long time (weeks, months) in my
head, before I start drafting on the page, by
which point the language, content and phrasing is
usually set and fairly well-honed. The drafting
mainly takes care of technical matters -
sequencing, linebreaks and so on.
But here, I am forcing myself to start writing once I have a couple of lines. The trouble is,'a couple of lines' is a 'line pair' - that is, I know they belong together, and represent either an opening, a close, or a volta in a poem, such is my (possibly Asperger-y) method of making poems - and I am unused to entering the drafting process with no idea where the pair belongs, or what will surround it. So I currently have half-a-dozen part-drafts in which the line pairs which founded the poem move like yo-yos from the top to the bottom to the middle of the poem.
Does the following pair sound like an opening, a volta or a close, for example?
When next you pass through beeches, think:
These are old lovers; this how I left them.
I have no idea.
But here, I am forcing myself to start writing once I have a couple of lines. The trouble is,'a couple of lines' is a 'line pair' - that is, I know they belong together, and represent either an opening, a close, or a volta in a poem, such is my (possibly Asperger-y) method of making poems - and I am unused to entering the drafting process with no idea where the pair belongs, or what will surround it. So I currently have half-a-dozen part-drafts in which the line pairs which founded the poem move like yo-yos from the top to the bottom to the middle of the poem.
Does the following pair sound like an opening, a volta or a close, for example?
When next you pass through beeches, think:
These are old lovers; this how I left them.
I have no idea.
|