Poetry
The Two-Line Problem
09/06/07 17:34
Being a slow producer of poems, I have some
particular difficulties when trying to 'force' a
number loose, as I am at the moment. I am used to
composing for a long time (weeks, months) in my
head, before I start drafting on the page, by
which point the language, content and phrasing is
usually set and fairly well-honed. The drafting
mainly takes care of technical matters -
sequencing, linebreaks and so on.
But here, I am forcing myself to start writing once I have a couple of lines. The trouble is,'a couple of lines' is a 'line pair' - that is, I know they belong together, and represent either an opening, a close, or a volta in a poem, such is my (possibly Asperger-y) method of making poems - and I am unused to entering the drafting process with no idea where the pair belongs, or what will surround it. So I currently have half-a-dozen part-drafts in which the line pairs which founded the poem move like yo-yos from the top to the bottom to the middle of the poem.
Does the following pair sound like an opening, a volta or a close, for example?
When next you pass through beeches, think:
These are old lovers; this how I left them.
I have no idea.
But here, I am forcing myself to start writing once I have a couple of lines. The trouble is,'a couple of lines' is a 'line pair' - that is, I know they belong together, and represent either an opening, a close, or a volta in a poem, such is my (possibly Asperger-y) method of making poems - and I am unused to entering the drafting process with no idea where the pair belongs, or what will surround it. So I currently have half-a-dozen part-drafts in which the line pairs which founded the poem move like yo-yos from the top to the bottom to the middle of the poem.
Does the following pair sound like an opening, a volta or a close, for example?
When next you pass through beeches, think:
These are old lovers; this how I left them.
I have no idea.
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The Last Poem
13/10/06 18:15
Among this year’s Forward Prize winners are
Robin Robertson for the excellent
Swithering
and Sean O’Brien – Best Single Poem
for
Fantasia on a Theme of James
Wright
(respectively, my editor and my Doctoral
supervisor – good people to have in a good
mood, I’d say).
Of the latter, the judges said O’Brien’s poem is “as close as it is possible to come to a perfect poem”. I like the idea (The Last Poem, the End of Poetry etc.) – but it seems to be one of those phrases designed to haunt the recipient. Probably deliberately.
The Best First Collection prize went to Tishani Doshi for Countries of the Body (Aark Arts), beating Hallam Poets colleague Tim Turnbull and his excellent Stranded in Sub-Atomica
Of the latter, the judges said O’Brien’s poem is “as close as it is possible to come to a perfect poem”. I like the idea (The Last Poem, the End of Poetry etc.) – but it seems to be one of those phrases designed to haunt the recipient. Probably deliberately.
The Best First Collection prize went to Tishani Doshi for Countries of the Body (Aark Arts), beating Hallam Poets colleague Tim Turnbull and his excellent Stranded in Sub-Atomica
Scattering Eva Shortlisted
01/10/06 18:20
Scattering Eva
has been shortlisted for a Glenn Dimplex
New Writers’ Award
in the poetry category.
The awards seem to be structured rather like the Whitbreads – a winner in each category, with an overall winner chosen from the category winners.
Very cheering.
The awards seem to be structured rather like the Whitbreads – a winner in each category, with an overall winner chosen from the category winners.
Very cheering.